Tuesday, November 29, 2011

KRS ONE TALKS LIFE & HIP-HOP ON LIVE FROM I-5 RADIO


On November 4, 2011 The Live From I-5 Radio Program was visited by a legend, pioneer, philosopher, guardian and father/son of Hip-Hop Culture - the great Blastmaster & Teacha' KRS-ONE.

Not only is KRS ONE one of my favorite Hip-Hop 'artists', but he is the father that many of my homeboys and I did not have. A wise man of color spitting game, knowledge, intelligence and raw MC skills was and still IS a rarity. He slayed sucka MCs and brilliant MCs during his hey-day and could still do it today if challenged. More than an MC, KRS ONE is a B-Boy, Graf Artist and embodies the BEST of Hip-Hop culture from its foundation.

Now in his mid-40s, once thought an age of irrelevance in Hip-Hop, KRS ONE is undertaking what he and others consider his most important and relevant work as the founder, leader and spiritual guide of The Temple of Hip-Hop - an organization which aims to solidify Hip-Hop as a cultural body that embodies all aspects of life, somewhat 'religiously'. KRS ONE is adamant about the part of Hi-Hop being a way of life (almost religously) because of how the culture itself saved and advanced his own life thanks to the gifts of The Jamaican-American founders of the culture, namely Kool Herc, Afrika Bambaataa & DJ Grandmaster Flash... Enough of me. Listen to The Teacha' spit his game and name on KAOS 89.3 FM - Olympia's KAOS Block Party on my Live From I-5 with LUVVA J Show... Audio DOPE!









Peace, Love & Courage,

LUVVA J, In A Real Way!
Winners Train, Losers Complain... Do Yo' Thang!

Monday, November 28, 2011

THE 25360 AWARDS RETURN... NOMINATIONS BEGIN DECEMBER 1, 2011

In 2011-2012 The 25360 Awards will return to the South Puget Sound region of Washington State, again celebrating the achievement of Tacoma-Olympia-area (and beyond) Hip-Hop and community members.

I created The 25360 Awards in 2008 as a ceremony and vehicle to honor and recognize individuals and organizations who have been a part of advancing Hip-Hop culture, business and our community via the arts and/or activism. Awards such as MC of The Year, DJ of The Year, Radio DJ/Host of The Year, Man and Woman of The Year are just a sampling of the points of recognition. At one point, supported with the aid of The Weekly Volcano, The 25360 Awards now stands alone and is traditionally held during the annual Hip-Hop 4 The Homeless Weekend at the end of January (the 28th and 29th)... This year the location is still to be determined. But the awards and the show will go on - just letting y'all know. 'It Don't Stop, 'Til The Casket Drops'!

Nominations begin on December 1, 2011 and run through December 19, 2012. Voting begins on January 2 and ends on January 7th, 2012. Each person is encouraged to honor the process by nominating people and voting once per category.
Send nominations with no more than 5 sentences describing why you are nominating your party to THE25360@gmail.com.

Enjoy and celebrate and stay tuned for updates on the only award program, which focuses on the advancement of Hip-Hop and our community in The 25360.

Categories will be announced on December 1, 2011.


Peace, Love & Courage,

LUVVA J, In A Real Way!

Wednesday, November 9, 2011

R.I.P. HEAVY D aka MR. BIG STUFF… WHO DO YOU THINK HE WAS?


LIVE FROM I-5 presents… Certified DOPE
With Jose S. Gutierrez Jr., M.Ed.

R.I.P. HEAVY D aka MR. BIG STUFF… WHO DO YOU THINK HE WAS?


He was an MC, a dancer (a great one at that), an accomplished actor and most definitely an overweight lover. For 25 years we had a brilliant light-skinned Jamaican-American talent among us. But these complimentary adjectives do not do justice in describing the gift that was Dwight Errington Myers also known as Heavy D aka Mr. Big Stuff aka Big Daddy aka Hev Diggy. He ascended beyond the Earth today – November 8, 2011.

My first impression of Heavy D in 1987 at the age of 10 years old, was that he could rap. I don’t mean that he could rhyme words – I mean, Heavy D was an MC; a rapper who could compete and deliver vocal dope. My next impression seconds later, I’m sure, was that he could dance; so could his entire crew of homeboys. Trouble T-Roy, Eddie F, G-Wiz… Name someone else; anyone else – they could dance too! Straight from Money Earnin’ Mt. Vernon, via Jamaica – Heavy D was a vital character and member of The Hip-Hop Universe who not only showed that a big guy could be sexy, charismatic, romantic and hard whenever he wanted to be – but he was an activist as well. Heavy D cared about his community.

In 1989 he joined KRS-ONE, Big Daddy Kane, Stetsasonic, MC Lyte, Doug E. Fresh, Kool Moe Dee, D-Nice and many more as a vital and standout member of the Stop The Violence Movement. Stop The Violence was a timely and urgent movement installed at the height of The Crack Era by the legendary Hip-Hopper, KRS-ONE as a means of combating drug abuse and violence that was not only plaguing, but consuming communities of color – especially in the 1980s and early 1990s. ‘Heavy’s on the mic, so there’ll be no bum rushin’, he rapped with such force. ‘I heard a brother killed a brother, it broke my heart’, he would continue. See Heavy D was someone who oozed confidence and a sense of self-worth and purpose. He was not afraid to showcase his emotion, care, concern and passions – although there were other heavy rappers, MCs and DJs – Heavy D stood tall and stood alone. He was not a clone, never tried to be The Fat Boys and didn’t resemble those legends at all – he created his own.

In wake of one of his dancers and friend of many in the Hip-Hop community, Trouble ‘T-Roy’, Heavy D dropped Peaceful Journey in 1991, which would yield his biggest hit in ‘Now That We’ve Found Love’ – Hip-Hop-House-type joint (that I didn’t dig at the time, not appreciating the cousin-relationship between electronic music and Hip-Hop, but I grew) that in the era of Guy, Bell Biv Devoe and Johnny Gill, everyone was bouncing to. Peaceful Journey followed another classic that yielded his trademark twang-saying ‘Bdiddly, diddly, diddly, diddly, diddly – D!’ on the classic dance track, ‘We Got Our Own Thang’ from the classic, Big Tyme. Plain and simple, Hev Diggy is dope and his body of work speaks to his dopeness.

He followed the early 1990s with albums like, Blue Funk (1993), Nuttin’ But Love (1994), Waterbed Hev (1997), Vibes (2008) and he recently dropped a song-driven album in September 2011 titled, Love Opus. He would add an array of on-stage, television and film works that are very notable, but what is most notable – I believe is the following. Heavy D, like many legends of the truly American art form of Hip-Hop, was underappreciated and overall neglected as a donor and ambassador of Hip-Hop. See, Hip-Hop is not the Blues, Jazz, Rock and Roll or anything else. It is first and foremost a combination of all of those genres, but its power derives from the tenacity, inspiration, motivation and perspiration of those who survived and strived to create it. Heavy D is of the Golden Era of Hip-Hop and so many of his peers from this era are overlooked not only as pioneers, but LIVING LEGENDS in our time. He was not a ‘flash in the pan’ or ‘gimmick’ artist and he did not change with the times, he changed the times subtly by being himself – such an overlooked quality this is.

Heavy D will be missed most certainly by his family and close friends, but also by those of us who consider ourselves and carry ourselves as members of The Hip-Hop Community. Not just fans, but members of The Hip-Hop Community who see Heavy D as a champion for Hip-Hop and humanity as a whole. The gentle giant (who most definitely was not a push over by any means) demonstrated what anyone who believes in themselves can be. He was supremely confident and the big brother with the tinted shades – always looking fresh, will be remembered as one of our heroes and one of the best to bless a mic and the planet. Much love, Heavy D…


Winners Train, Losers Complain ...Do Yo' Thang!


Jose S. Gutierrez Jr.